Winter Solstice Celebrations- Shab-e-Cheleh Dec 23rd, 2023
Celebrate on Saturday, Dec. 23, 2023
Kamran Dar-e-Mehr
15316 Barnesville Rd.
Boyds, MD 20841
Celebrate on Saturday, Dec. 23, 2023
Kamran Dar-e-Mehr
15316 Barnesville Rd.
Boyds, MD 20841
Saris, Stoles, Bags, Home Accessories from Parzor Crafts in Mumbai on 27-29 October 2023
Cyrus the Great chartered the First Human Rights in History and his rule served as a blueprint for world and U.S. democracy, the U.S. Constitution, anti-colonialism, and ultimately the American Civil l rights Movement. 2. Cyrus and Darius the Great devised/pioneered genius administrative, trade, commerce, and many other practices extensively used daily all over the world today.
The speaker, Sam Billimoria’s interest in the Achaemenian Dynasty started in Iran in the 1970s, when he worked in Iran and visited Persepolis 4 times and Pasargadae twice. This led to his extensive research on the Achaemenian Dynasty and ultimately proclamations from 2 Congressman honoring the Zoroastrian Legacy for pioneering the first human rights in History, also influencing the U.S. Constitution and world democracy.
There is going to be an art exhibition and vendors offering their craft and homemade products during the event as well.
The event is free to attend, and RSVP is needed.
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Courtesy: http://zarathushticalendar.com/
Dear Friends,
I am delighted to forward to you below the NCPA creative, with details of my talk on forty years of artists’ management. The interlocutor will be the noted contemporary dancer, Uttara Asha Coorlawala, to whom I am indebted for her constant support. My thanks too to Swapnokalpa Dasgupta – Head of Dance Programming at the National Centre for Performing Arts (NCPA), Mumbai and herself a classical Odissi dance performer and teacher – and her team for kindly arranging this event.
I do look forward to seeing you on Monday 27th February at 11 am in the Stuart Liff Library at the NCPA.
Please do share this information with your friends and contacts. Thanks.
My talk with Asha will cover a gamut of issues: my very personal experiences in managing Indian artists in Europe, from the giants of Indian music to young and upcoming musicians and dancers, the joy, awe and tears (as the title of my recent book so aptly suggests); the situation of the Indian classical performing arts – it’s scope, audiences and organisers’ reactions – on the ground in Europe and, finally, an overview of the challenges of an impresario (for Indian artists), a fascinating but all too rare and under-represented profession in both India and the west.